The character's likeness has since been used in several tie-in media and merchandise associated with the films, including toys, books and video game adaptations.In early drafts of the screenplay, Violet was depicted as an infant as opposed to a teenager, since parents Bob and Helen Parr were originally intended to be introduced as retired superheroes who had just begun to attempt to live normal lives much earlier during the film.
The character's likeness has since been used in several tie-in media and merchandise associated with the films, including toys, books and video game adaptations.In early drafts of the screenplay, Violet was depicted as an infant as opposed to a teenager, since parents Bob and Helen Parr were originally intended to be introduced as retired superheroes who had just begun to attempt to live normal lives much earlier during the film.Tags: Methods Section Qualitative DissertationSixth Grade Math Word ProblemsFinance Department Business PlanHomework FrenchObjectives For EssaysMusic History Research Paper TopicsOffice 365 Business PlanHow To Write An Argumentative Essay SampleCover Letters For Medical Receptionist With No Experience
According to hair and cloth simulation supervisor Mark Henne, Violet's hair remained an "unsolved research project" for much of the film's production due to its type and length, which had never been featured in a computer animated film prior to The Incredibles.
Technical director Rick Sayre explained that the challenges revolving around Violet's hair were rooted in the fact that she has "no fixed hair style"; her hair constantly adopts new shapes and forms as it interacts with other objects, including other strands of her own hair, as well as her own body.
However, Vowell states that she simply avoided pursuing voice roles in general because she was content being a writer and found few animated projects particularly interesting prior to The Incredibles.
Violet is voiced by author and radio personality Sarah Vowell (pictured), a role director Brad Bird cast her in after hearing her recall a childhood story about her father on the radio program This American Life. The animators animated a rough test sequence to some of Vowell's dialogue from the radio segment about her father's cannon, in which Violet is depicted being startled by a gun that repeatedly fires in her hands.
Vowell accepted the role after receiving an e-mail from the film's producer, agreeing to participate in The Incredibles because she believes that Pixar is consistently "the best at what they do", comparing the offer to politician Nelson Mandela "asking for your help to fight racism". I love that archetype of the morose, shy, smart-alecky teenage girl." finding the unique dynamic between Violet and Bob similar to her relationship with her own father, particularly the combination of affection, sarcasm and confusion that both her and her character feel towards their respective parents.
Vowell ultimately accepted the role based on a sole image she had been sent of the character: a drawing of Violet surrounded by her schoolmates, all of whom appear to be happy and outgoing apart from Violet herself, who is instead hunched over and hiding behind her hair. Vowell admitted that she shares Violet's "inability to stop pushing people's buttons", citing their tendency to voice their opinions about any given topic and gift for making various situations awkward as similarities.
Despite using a towel as a bib, Vowell still got considerably wet during the process.
Vowell found the process of producing non-verbal sounds such as laughing, yawning and screaming on cue to be the most difficult component of the job, a task that working in radio had hardly prepared her for.
To-date, the Incredibles films remain Vowell's only animated film roles. not comfortable in her own skin" who resides "in that rocky place between being a kid and an adult", Bird felt that invisibility would be the most suitable power for the Parr family's only daughter.
According to Vowell, Violet's superpowers of invisibility and force fields are, much like the rest of her family, "psychologically representational of who she is"; a teenage girl who longs to remain hidden and protected; Bird sought to balance the adventurous and "ordinary" components of the family's lives, explaining that audiences would appreciate and relate to moments when Violet uses her powers in the event that she feels humiliated.