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The Ghost also speaks of Gertrude’s sexuality when he bitterly laments: The Ghost cites Gertrude’s voracious lust as the cause of her swift marriage to his brother (the ‘garbage’ in this metaphor).Gertrude’s sexual relationship with Claudius defines her character for both Hamlets, and taints the audience’s perception of her as an intemperately lustful and self-indulgent individual.
Her close relationships to the central male characters mean that she is a key figure within the narrative.
King Hamlet’s death and Gertrude’s wedding to Claudius happen immediately prior to the opening of the play.
She instinctively perceives the true cause of Hamlet’s antic disposition in Act 2, and doesn’t mince words when she explains to Claudius that it is their union which has upset her son so: Despite Gertrude’s gift for making shrewd observations she appears content not to act upon them, and instead submits to the schemes of her husband and his councellors in the first half of the play: ‘I shall obey you’ (3.1.38).
Gertrude’s compliance is open to interpretation: does it demonstrate passiveness and apathy, or simply dedication to her spouse and trust in his judgement regarding her son?
In a BBC interview Doran explained that his production was rooted in the premise that Gertrude and Claudius enjoyed ‘a vigorous sexual relationship’ within, and prior to, the events of the play.
He viewed the two characters’ marriage as a love match.
She was married to the murdered King Hamlet (represented by the Ghost in the play) and has subsequently wed Claudius, his brother.