Tags: Two Paragraph EssayIntroductory Paragraph Contrast EssayRemember The Titans EssayControversial Health Topics For Research PaperWhat Thesis About The Real Nature Of ImperialismAssignment On Disaster ManagementEssay Familiar Leaf Narcissus PoolHow To Solve Plugged In Not Charging ProblemOpinion Essay About Multiculturalism
v=XPQGx KJNwu Y Interestingly, the arrangements of these two versions, especially the latter, seem to have more in common with Otis Rush’s ‘Homework’ than with Price’s recording.‘Homework’ was the A-side of the only record released during Rush’s three-year tenure with Duke records. v=gz DJo Sga VCE Rush’s number would also attract a large number of covers, beginning with two different versions, released a year apart, by one of its writers, Al Perkins. label in 1965 Al Perkins and Betty Bibbs – Homework – https://
In the mid-’80s, while I was trying to make money in the music business, I still had a job in the corporate world which allowed me to make actual money.
It was a pretty straight job with a major financial institution but it did have its perks.
Back in the States that same year, a hot-shot Memphis guitar player named Travis Wammack recorded a smokin’ instrumental version that was picked up for national release by Atlantic Records Travis Wammack – Have You Ever Had the Blues – https://
v=Ye7LGb Su OX0 Also that year, The Blues Project recorded it during their stand at New York City’s Café Au Go Go during the sessions for their first LP.
There are some sparks when the stone strikes the flint, but the number would have needed a longer running time for the passions to build, and even then, there simply wasn’t enough kindling to ever catch fire.
Perkins took a decidedly different approach the following year; done once again as a duet, he teams up this time with the label’s owner, Bill “Bunky” Sheppard for the most “age appropriate” sounding rendition of the song.
It began when I managed a band he was in in the early 1980s.
Billy is a legendary figure in New Jersey and beyond, a bluesman without equal.
Amazingly, Capitol chose not to release the album, and it didn't see the light of day until 1976, when the tiny independent label Bullfrog obtained the rights and released it.
A release on Delmark in 1975, and a handful of live albums through the '70s and early '80s kept Rush somewhat in the public eye, and he continued to perform in clubs and at blues festivals nationwide and in Europe and Japan.