Stolen And Ruby Moon Essays

Stolen And Ruby Moon Essays-74
In a fruitful collaboration between many departments of Sydney Theatre Company, STC Ed recently mounted a display of archival records documenting several past STC productions of plays included in the NSW HSC Drama curriculum.

In a fruitful collaboration between many departments of Sydney Theatre Company, STC Ed recently mounted a display of archival records documenting several past STC productions of plays included in the NSW HSC Drama curriculum.

They were given the chance to explore the primary source research material - preserved in STC Archives after no longer being used to produce a play - that directly relates to their upcoming studies for their HSC year.

The STC productions selected for investigation were (2010), were also included.

And why did he want Several other readers also pointed out that obituary, in which Alex had described Lola to a reporter as a devoted grandmother figure who devoted her life to “cooking, cleaning and caring for three generations [and] asked for nothing in return.” The newspaper’s response to ’s story is here.

Of the hundreds of emails we’ve received in response to Alex’s essay, nearly all express being moved by the story.

It also foolishly ignores how complicated family relationships are. Rarely are the narrators of the world’s most necessary or impactful stories blameless.

I cannot help but agree that Tizon’s complacence over the years—especially as he grew older—amounts to an offense.The note should acknowledge the author’s role in his own story as much as his skill in writing about it and how “thrilled” I just saw the memo detailing the backlash to the story.I wrote in earlier praising the piece, and I just want to add that I didn’t get the sense at all that he was condoning what his family had done.I’ve been reading it for three days, during my little pauses at work. These responses point to the resonance of Alex’s personal narrative: His perspective makes the story of Lola all the more vivid, because of—not in spite of—its flaws and his guilt. We’ll be publishing several articles to follow Alex’s essay, situating his story in a broader cultural and economic context.Couldn’t have finished it at one blow, because was always starting to cry and my team was asking me if everything was fine. However, Rob Byron, another reader, points out the limits of that point of view: has practiced since its inception.” Respectfully, I would ask Mr. It’s straight memoir, soup to nuts, and the editorial decision to print it without any further reporting to prop it up seems dubious. A friend of mine who’s a respected editor and colleague had this to say: “Hopefully some talented journalist will pick up the thread and report from [Lola’s] hometown about the slave system still in place there or dig deeper into slavery in the U. The first, by Ai-jen Poo, discusses the persistence of modern-day slavery in the U. We’ll also be publishing the personal stories of readers like Claudia, who experienced conditions similar to those Lola did.Readers are left with too many questions: Was the point to raise awareness about the plight of unpaid or underpaid domestic workers in the U. If you would like to share your story, please email [email protected]; let us know where you’re writing from, and whether you’d like to remain anonymous.links to an uncritical memorial to him before telling the story of the slave.He was horrified by his family’s treatment of Lola.To expect a young Alex to turn them in or criticize him for enabling their behavior is to lay the blame at the wrong person’s feet.When I learned his story would be on the cover of the magazine I was proud. On the one hand, Alex was a dogged reporter, a talented writer, a friendly colleague. I am sorry for the loss of a good journalist who was my co-worker.But on the other hand, I’m embarrassed (I wonder: Why does any of this rub off on me?

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